Showing posts with label Saint-Gobain. Show all posts
Showing posts with label Saint-Gobain. Show all posts

Tuesday, 19 May 2009

Gaïa and Infinite Glass

In Greek mythology, Gaïa is a primordial goddess identified with "Mother Earth". She is the maternal ancestor of divine races, but laboured also many children as monsters.

photo: Eon and Tellus (Gaia) surrounded by four children, perhaps the personified seasons, mosaic of a Roman villa Sentinum early third century, Glyptothèque Munich (Inv. W504)

The French glass manufacturer Saint-Gobain Desjonqueres SA created Infinite Glass, the 1st 100% recycled glass, from which sprouted the Gaia range of bottles and jars, designed by the design agency Extrême Paris and dedicated to the perfume and cosmetics market segment.

Glass, endlessly recyclable, is known to be one of the most environmentally friendly materials. Although 100% recyclable, its composition is never 100% the result of recycling.
Cullet, a raw material used by glassmakers, coming from selected glass waste and reintroduced into the glassmaking process, can account for up to 95% of the raw materials used for glass manufacturing. On average, cullet makes up 53% of the raw materials used for packaging containers.
In the perfume industry, glass is usually composed of 30% of in-house cullet (recycling of the production loss) and 70% of raw materials (silica sand, limestone and soda ash).

Using a higher level of cullet in the glass production enables lower (virgin) raw material extractions, lower carbon dioxide emissions as each metric ton of cullet used in the furnaces results in a CO2-reduction emitted into the atmosphere of around 500 kg and lower energy consumption, since collected glass melts at a lower temperature than natural raw materials.

Glassmakers' performance is dictated by the requirements of excellence in terms of quality imposed by their customers, albeit restricted by the manufacturing process, glass have to be flawless. This does of course apply to recycled glass just as well as to new glass. The greater the amount of cullet used in glass manufacturing, the higher the risk of impurities will be.

To highlight the importance of the newly developed 100% recycled glass matching perfumery standards Saint Gobain launched Gaia, the first 100% environmentally friendly range of bottles and jars for the world of perfumes and cosmetics.

The designers at Extrême Paris, a design agency specialised in luxury and beauty products, were asked to base the designs on the idea of a continuous cycle, where nothing gets lost and everything is infinite. They have managed to convey the values of the project by creating a highly distinctive form. The design plays with material movements, the fluidity of waves and the balance of elements. The first curves of an eco-designed receptacle were born, inspired by creations from the goddess of nature.

In a press release Saint Gobain concludes: “Almost 18 months of research and development went into creating the Infinite Glass and its first incarnation: Gaïa. It constitutes a genuine call to beauty specialists to promote environmental responsibility,”

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Monday, 11 May 2009

Excellence for Her

The new packaging for Narciso Rodriguez is a product from Axilone, a subsidiary of Ileos, a leading supplier of packaging to the fragrance, cosmetics, and pharmaceutical industry.

Usually I do not write about perfume packages as it is dominantly the design and not the technical or technological performance which create the innovation. I am not a designer and although I love beauty in all forms, it is very hard for me to find the lyrical and analytical words to describe a design. But this perfume packaging is different; it combines a beautiful design with some high tech innovations.
As a consequence this is a two-in-one post, in other words for the design I follow (translated) the description of my colleague-blogger, Rogerio Oliveira, an industrial designer in Curitiba/Brazil, who saw this packaging at the CosmoProf in Bologna, and reported about it on his blog “Um Dia, Uma Embalagem”. After his perfect description I add some words about some technical details. But first Rogerio Oliveira:

During my visit to the recent CosmoProf, the world’s most important international event in the beauty and cosmetics sector in Bologna, Italy, one of the packages that most caught my attention was the perfume “Essence for Her”, the brand of stylist Narciso Rodriguez. Some may even say that the packaging is not pretty, as the format is very organic and irregular, in contrast to the packages usually developed for the perfume market. But it is the irregularity of the form that has, in my opinion, its greatest qualities. Furthermore, these organic forms are the trademark of designer Ross Lovegrove, responsible for this packaging design. I do not know if it was intentional, but we can say that this package is an "amalgamated" version of the male packaging, with its absence of straight lines, contrasting with the almost mathematical and architectural precision of the version for men. The bottle, produced in glass by Saint-Gobain Desjonqueres SA in France, is completely organic and crystalline, showing a typical feminine elegance, purity of soul and sensuality as imagined by the designer. What really impresses in this package is the finishing inside the bottle, a mixture of metalising and paint, giving the bottle a surprisingly nice appearance. According to Saint-Gobain, unlike the male version that holds an inside bag that prevents the product to come in contact with the painting, the bottle of “Essence for Her” does not need this trick because they achieved to create a finish, which is fully compatible with the product. The visual effect caused by metalising the inside of the bottle, together with the metal cache and the bottle cap, is impressive, leaving it hard to not be noticed in the gondolas of the shops. Rogerio is very short about the bottle cap, so let me do that.
Is the bottle made of glass, the bottle cap is moulded using Surlyn PC 2000 creating a harmoniously entity with the bottle.

Surlyn is a commercial thermoplastic ionomer resin that was introduced by DuPont in the early 1960’s. Surlyn can be used in conventional extrusion/co-extrusion, blown film, cast film, and extrusion coating equipment designed for polyethylene resins.
Moulded goods made with Surlyn are virtually unbreakable, and offer unusual design freedom, combining toughness, clarity and chemical resistance. It is one of the materials most favoured by designers, for complicated and bold designs.

Thanks to a direct removal of this fully massive, isomorphic, and smooth piece from the mould, no mould parting line is visible, leaving the transparency of the cap perfect.

Credit: The large photo is made by Rogerio Oliveira.

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